52 Films by Women Vol 2. 5. THROUGH THE WALL (Laavor et hakir) (Director: Rama Burshtein)
Romantic love is an arrogant folly. I’m not sure I want to
believe this, but it is probably true. The idea of soul mates is absurd.
Relationships develop through a mixture of desire, compatibility and an
assessment of your life partner’s skill set. There is a reason I spend
Christmas Day in the kitchen – so that my family can hog the TV.
The Israeli comedy ‘Through the Wall’ (Laavor et hakir) written
and directed by Rama Burshtein is about a thirty-something woman, Michal (Noa
Koller) who is abandoned by her fiancé in the early stages of planning their
wedding. Unperturbed, Michal books the hall anyway. She will marry on the 8th
day of Hanukah. There is the small matter of finding a new groom and hoping
that he accepts his bride-to-be’s petting zoo business, but if it is God’s
will, then Michal will be married.
Divine approval might be requested, but Michal has to do the
hard work herself, engaging a matchmaker to arrange a series of dates. None of
them goes particularly well. At one point, at a pilgrimage to Ukraine, Michal
finds herself talking to God in a ‘his and hers’ praying booth. A man hears
her. Not just any man, but a well-known singer, Yos (Oz Zehavi of the band
‘Yossi’). He asks her for her address and seems genuinely charmed, even though
she is not the most glamorous, high-achieving woman he is likely to meet, and
well over the age of his teeny-bopper fans. They meet again. In a Hollywood
comedy, these two would fall in love and Michal would learn that feeling normal
is not a prerequisite to happiness. But this isn’t a Hollywood movie; this is
Orthodox Israeli cinema. So the happy ending is something else – God will
provide.
There is no doubt that Michal is far from normal, but she
lives in a society where men are to some extent separated from women (Michal’s
colleagues are all women). So emotions don’t develop through continued close
proximity – in fact, continued close proximity drives couples apart. Having
scared him away, Michal’s sister stalks her estranged husband. The police are
called. One of Michal’s friends has arranged a date with a Japanese guy who has
converted to Judaism – the net is cast as wide as Orthodoxy will allow.
[Rest of review missing]
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