Larry Oliver Film Reviews

Pictured : Channelling her inner Gena Rowlands, Shelly ( Pamela Anderson ) worries about the future in director Gia Coppola 's film, ' The Last Showgirl ', written by Kate Gersten . Still courtesy of Roadside Attractions (US) / Picturehouse Entertainment (UK) I am generally suspicious of films and television series that begin with the words ‘The Last’. For every The Last of the Mohicans , there is The Last Boy Scout , The Last Black Man in San Francisco and The Last of Us . While we live in a time of absolutes – it won’t be long before there is a film entitled The Last Civil Servant , describing the US Department of Government Efficiency’s current purges of US administrative departments – generally, beliefs, races, pastimes, professions survive in one form or another. If children are no long cleaning chimneys in London, they are certainly picking through toxic trash in South America. The latest film destined for the middle of an alphabetized DVD shelf is The Last Showgirl...

Still courtesy of A24 Films (US) / Mubi (UK) For her eighth film as writer-director, Priscilla , Sofia Coppola re-tells the true story of young Priscilla Beaulieu’s relationship with the controlled and controlling pill popper, Elvis Aaron Presley, singing star and icon, characterised in the movie by a twitchy leg that, when he sits down, never stops moving. Constrained to some extent by being unable to use Elvis’ tunes – he is only shown performing a Jerry Lee Lewis number, ‘Whole Lotta Shakin’ Going On’ – Coppola concentrates on the limited viewpoint of her titular protagonist, who first is introduced to Elvis in 1958 and, after spending some time with him at parties hosted in his house while he is on military service in Wiesbaden, Germany finds herself left behind then summoned by him, then left behind and so forth. Referring to her as Cilla or ‘Satnin’ – weirdly the nickname Elvis also gave to his late mother – the star attracts and repels Priscilla in equal measure until she final...