52 Films Directed By Women Vol 1: 17. MY SKINNY SISTER (Director: Sanna Lenken)
As anyone who has dealt with serious cases of anorexia will
tell you, the condition can kill. But it isn’t all – or indeed mostly - about idolising
zero-sized catwalk models or pop stars. We are told anorexia affects high-achieving
individuals who want to take control of their body but go too far. Anorexia is
something sufferers love as well as hate. When treating the condition, you
can’t just force feed kids; you have to give them something to replace the
source of their addiction, to get them to open their mouths.
Lenken, now aged 38 and a graduate of the film directing
programme at Stockholm’s National Film School, is a former anorexic herself and
feels the subject keenly. My Skinny
Sister has its genesis in her 2013 short, Eating Lunch (Äta Lunch),
about five youngsters consuming a meal at an eating disorder clinic. She is
particularly good at directing children. Stella is a complex character who
wants to be like her sister and puts in some of the work but doesn’t have the
strength and dedication to be like her. Her motive is to impress Katja’s coach
rather than want to be a skating star. The scenes with Jacob are toe-curlingly
embarrassing to watch as Stella asks to speak to him privately in his room and
meet him at 08:00am to discuss her sister but ostensibly wants to spend time with
him alone. Stella alienates her best friend and resists hanging out with
children her own age. She also, at one point, refuses to eat the potato chips
that Katja doesn’t touch whilst watching TV.
The drama cranks up after Katja is told not to practice. She
defies her coach. Her mother, a career woman who is mostly out of the house,
takes a belated interest. The film is precise about the futility of a family
trying to deal with the problem on their own – in this case in a log cabin
where they ordinarily holiday. Professional help, the encouragement and support
of independent witnesses, is what is required.
There are many ways to deal with anorexia, replacing the
addiction with art therapy and drama therapy. One wonders whether it was film
directing that saved Lenken. Her film is truthful, well-made and compelling, if
not exactly a bundle of laughs, with two of the best child performances you are
likely to see in films today. My Skinny
Sister is warmly recommended.

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